It consists basically of a grand écart with a moving jump. A dance that is focused on a single pair of partnering dancers is a pas de deux. Grammar. The strictly classical balletic pas de deux followed a fixed pattern: a supported adagio, a solo variation for the male dancer, a solo variation for the female dancer, and a coda in which both participants displayed their 4 D . A ballet fan or enthusiast. The knees bending directly above the line of the toes without releasing the heels from the floor. An exercise for the movement of the arms (and in some schools, the upper body) to different positions. A glissade can be done en avant, en arrière, dessous (leading front foot ends back), dessus (leading back foot ends front), or without a changement of feet. In the Cecchetti and French schools, this may be referred to as a saut de chat ('jump of the cat'). Can be done continuously, as is often done with grands battements and attitudes. Double and triple frappés involve tapping the foot (flexed or pointed) at both cou-de-pied devant (or wrapped) and derrière before extending out. working foot at cou-de-pied). Refers to brushing through first position from fourth devant or fourth derrière to the opposite fourth with the upper body held upright. Making two of a movement, such as in double rond de jambe en l'air. In Cecchetti, the hands stay a little lower at tutu height. Vaslav Nijinsky was known to perform triple tours en l'air. One of the positions of the body or épaulement. A coordinated set of furniture. The feeling of being simultaneously grounded and "pulled up" is necessary for many steps in ballet. Most ballet dancers wear tights in practices and performances unless in some contemporary and character dances or variations. Assemble definition, to bring together or gather into one place, company, body, or whole. Petite battement is when a ballet dancer swiftly moves his/her leg in front then behind their calf. A 180-degree or 90-degree fouetté could involve a working leg beginning extended elevated in front; the supporting leg rising onto demi-pointe or pointe quickly executing a "half" turn inside/en dedans, leading to the working leg ending in arabesque and the body now facing the opposite direction or stage direction. Photo by Alexander KabanovContact details: alexander.s.kabanov@gmail.com. This is called a grande jété développé in other schools. (French pronunciation: ​[tɑ̃ lje]; 'time linked.') (French pronunciation: ​[ɡʁɑ̃t ekaʁ]; literally "big gap".) Retiré passé may initiate or complete by sliding the working foot up or down the supporting leg from or to the floor, may be executed directly from an open position such as in pirouette from fourth, or may transition from knee to another position such as arabesque or attitude (as in développé). Palavra do dia: … (French pronunciation: ​[atityd]) A position in which a dancer stands on one leg (the supporting leg) while the other leg (working leg) is raised and turned out with knee bent to form an angle of approximately 90° between the thigh and the lower leg. (See "Battu.). (French pronunciation: ​[fɛʁme]; 'closed.') The part of classical ballet technique that concerns pointe work (dancing on the tips of the toes). Port de bras movements vary by school and by action. For example, assemblé, pas de bourrée, and glissade can be designated as over or dessus. The landing is then made on the underneath leg. overhead) and back down. Because ballet became formalized in France, a significant part of ballet terminology is in the French language. On the accent derrière (back), the heel of the working leg is placed behind the leg with the toes pointing to the back. Synonym Discussion of assemble. A tombé en avant can also be initiated with a small sliding hop instead of a coupé. Variants include: (French pronunciation: ​[pɑ d(ə) ʃa]; 'step of the cat.') Used to indicate that the front leg should be brought to close behind the other leg during a step. (French pronunciation: ​[kɔʁife]) In some systems, a dancer of higher rank than a member of the corps de ballet, performing in small ensembles and small solo roles but not ranked as a soloist. (This brand of action can be seen in both tour jetés and walt turns (pas de valse en tournant).) Rising onto the balls (demi-pointe) or toes (pointe) of one or both feet. A bending at the waist in any direction, forward, backward, or to the side. Pronunciation. In a. Weight is quickly transferred to that brushed leg, now upstage, allowing the dancer to pass the newly downstage leg through first position via a chassé passé to fourth devant, ending croisé the new corner, and finishing by bringing the upstage leg in to close fifth. (French pronunciation: ​[devlɔpe]) Common abbreviation for temps développé. Thesaurus. (French pronunciation: ​[katʁ]) Four of something, as in pas de quatre (a dance by four dancers). (French pronunciation: ​[pɑse]; literally 'passed.') Most often performed by women. (French pronunciation: ​[su su]; literally 'under-under.') (French pronunciation: ​[pike]; meaning 'pricked.') assemble Video pronunciation Englisch: assemble Englisch: assemblé Amerikanisches Englisch: assemble assemblé Beispielsätze Englische Wortlisten Trends Übersetzungen. This can be done in any direction or turning (the later also known as tour piqué). A term from the Cecchetti school indicating a hop on one foot while the other is raised in any position. The front foot is usually facing horizontal while the back foot is diagonal. A traveling step starting in fifth position from demi-plié. assembled - WordReference English dictionary, questions, discussion and forums. 4.1 Demi Detourne . 01:51. (French pronunciation: ​[ʁəlve]; 'raised, lifted.') 'Second position'. Different schools, such as Vaganova, French, and Cecchetti, Russian often use different names for similar arm positions. arabesque croisée or Russian fourth arabesque. petit allegro (small, generally fast jumps) and grand allegro (large, generally slower jumps). (French pronunciation: ​[ʃɛne]; 'chained', plural.) As the supporting foot transitions to demi-pointe or pointe, in an en dehors turn, the working leg extends forward and then whips around to the side as the working foot is retracted to the supporting knee in retiré, creating the impetus to rotate one turn. pas de bourrée couru (also called bourrée for short). In a pirouette en dehors, the body turns in the direction of the working leg (the leg raised in retiré passé). (Italian pronunciation: [ˈkoːda]); literally 'tail.') (French pronunciation: ​[dubl]; 'double.') After a classical ballet, a bow or choreographed révérence may be performed in character.[8]. (French pronunciation: ​[ɑ̃ dədɑ̃]; 'inwards.') A movement done from a closed (first or fifth) position to an open (second or fourth) position. 4.2 Danseur . From croisé, the upstage leg opens behind on the sissonne as the body changes direction in the air to land ouverte effacé; the back leg which is now downstage slides through in a chassé passé to fourth in front, ending the dancer croisé the corner opposite the original. The general positions are croisé, à la quatrième, effacé, à la seconde, écarté, and épaulé. I am excited to help you to become the ballet dancer that you desire to be! One of the basic positions of the body facing the audience at an oblique angle and with the downstage leg open to the side of the body, along the other diagonal, either touching the floor or en l'air. Playlists. A working foot should be straight to the side and mildly winged to the front or back. Even-numbered entrechats indicate the number of times the legs cross in and out in the air: a regular changement is two (one out, one in), entrechat quatre is two outs, two ins; six is three and three; huit is four and four. Applied to plié, pointe, and other movements or positions to indicate a smaller or lesser version. There are several kinds of jetés, including jeté / jeté ordinaire (RAD) / pas jeté (Rus. A term from the Russian school. (French pronunciation: ​[a la katʁijɛm]) One of the directions of body, facing the audience (en face), arms in second position, with one leg extended either to fourth position in front (quatrième devant) or fourth position behind (quatrième derrière). It is most often done forward and usually involves doing full leg splits in mid-air. (French pronunciation: ​[a la səɡɔ̃d]) (Literally "to second") If a step is done "à la seconde," it is done to the side. bras bas or preparatory position) to first arm position, to second arm position, back down to fifth en bas. As soon as the bottom of the bend is reached, the bend is reversed and the legs are straightened. It may also be done from an extended leg position into fondu or directly through fifth position (as in concluding a jeté). Fouetté is also common shorthand for fouetté rond de jambe en tournant (pictured here en dehors). The state is an ensemble of political and social structures. Coupé can only be performed through a closed leg position. A rise, from flat to demi-pointe (from the balls to the tips of both feet), usually done multiple times in quick succession where the legs are turned out in a grand pas position. This motion is normally done at the barre during warm-up. In dance (particularly ballet), arabesque (French: [aʁabɛsk]; literally, "in Arabic fashion") is a body position in which a dancer stands on one leg (the supporting leg) with the other leg (the working leg) extended, straight, behind the body. Abbreviation of battement frappé. Chancy … Each foot performs a half turn, with feet held in a tight first position en pointe or demi-pointe. Beloved by one, a sort of instinctive and savage half-man, for its beauty, for its stature, for the harmonies which emanated from its magnificent, Some of the effects are very daring, approaching even to the boldest flights of the rococo, the sirocco, and the Byzantine schools--yet the master's hand never falters--it moves on, calm, majestic, confident--and, with that art which conceals art, it finally casts over the TOUT, They are composite of many different men we seem to have [58] known, and fancy we could detach again from the, She is eighteen years of age, and has been sent to Brussels to finish her education; she is of middle size, stiffly made, body long, legs short, bust much developed but not compactly moulded, waist disproportionately compressed by an inhumanly braced corset, dress carefully arranged, large feet tortured into small bottines, head small, hair smoothed, braided, oiled, and gummed to perfection; very low forehead, very diminutive and vindictive grey eyes, somewhat Tartar features, rather flat nose, rather high-cheek bones, yet the, Be part of a unique musical experience as a member of the Oakton Community College Six Piano. Confusables. Typically performed in multiples, quickly and in rapid succession so that the working foot appears to be fluttering or vibrating. (French pronunciation: ​[ɑ̃ dəɔʁ]; 'outwards.') ‘We plan to assemble a program that combines the method described here with a kinematics method to permit fulltime operation.’ ‘From that it creates program code it can then assemble into executable machine code.’ ‘Sequences were verified manually and contigs were assembled using the computer program Sequencer v 4.0.’ *Note: Heels do not come up off the floor in a second position. Position of the arched working foot raised to, and resting on, the ankle. (French pronunciation: ​[ʁwajal]) Another name for changement battu. For example, in a rond de jambe en dehors, starting from first position, the foot (either left or right) would first extend tendu front, move to tendu to the side, and then tendu back, and back in again to first position. (e.g. A dance, or a suite of dances as in grand pas. The dancer then does a small jump to meet the first foot. Dictionary Grammar Blog School Scrabble Thesaurus Translator Quiz More Resources More from Collins. For example, a step travelling en avant moves forwards towards the audience, as in sissonne en avant. This chassé passé is the (pas) failli. It is a series of slow, graceful exercises during the centre practice which is generally focused on line, balance and fluidity. A series of small walks done on pointe or demi-pointe, traveling either forward (, A variation on the typical tour piqué/piqué turn, where the dancer does 1/2 piqué turn as usual, then, without coming off relevé, steps onto the previously working leg and lifts the previously supporting leg to retiré to finish the turn. (See "Piqué turn."). Translator. You can do pirouettes, changements, frappés, plies, and much more with fifth position. In Cecchetti and RAD, the term posé is used instead of piqué outside of the battement: piqué arabesque and ABT piqué turn/tour piqué (en dedans) / Rus. The dancer looks as if he or she is flying across the floor. How to use foundation in a sentence. See more. From standing to bent this should be fluid. In grand plié, (in first, second, fourth, and fifth position) While doing a grand-plie position one must remember to have proper alignment. The gaze is directed to the raised arm along the same diagonal. The leading foot lands tombé and the trailing foot slides in to meet the leading foot in fifth position demi-plié. air, en l' [ahn lehr] In the air. The working leg may be crossed to the front (devant) or to the back (derrière). (French pronunciation: ​[ʁətiʁe]) A position of the working leg in which the leg is raised turned out and bent at the knee to the side so that the toe is located directly in front of (retiré devant) or behind (retiré derrière) the supporting knee. For the left leg, this is a clockwise circle. There are two kinds of échappés: échappé sauté and échappé sur les pointes or demi-pointes. Making sure to keep the pelvis in line as you go down and up so that you do not release your seat and stick your chest forward. (French pronunciation: ​[deɡaʒe]; 'disengaged.') bles v. tr. One of the positions of the body or épaulement where the body is at an oblique angle to the audience, the downstage arm is allongé in front and the downstage shoulder appears prominent to the audience as the downstage leg works to the back (e.g. (French pronunciation: ​[debule]); literally 'hurtled,' as in 'with great speed.') an improvisational theater ensemble; a woodwind ensemble. Refers to a foot and leg position when the toes and knees are extended and elongated, rather than forming the usual soft curve. (French pronunciation: ​[ku də pje]; 'neck of the foot.') Converse of fermé(e) ('closed'). Assemble Definizione: When people assemble or when someone assembles them, they come together in a group,... | Significato, pronuncia, traduzioni ed esempi. The standing leg can be straight or bent ("fondu"). To bring or call together into a group or whole: The bailiff assembled the jury. One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. E.g. In demi-plié, (in a first, second, fourth, and fifth position) a dancer bends the knees while maintaining turnout. Common abbreviation of assemblé soutenu en tournant (Cecc.). https://www.thefreedictionary.com/ensemble. A small traveling step (en avant or en arrière) where each leg is alternately brought to cou-de-pied, passing the previous standing leg in doing so. The Vaganova School rarely uses the term coupé except as the preparation for specific allegros. A changement with a beating of the legs preceding the foot change. (French pronunciation: ​[pɑ d(ə) buʁe]; 'step of bourrée.') (French pronunciation: ​[ɑ̃ fas]; 'facing, in front of.') Who this course is for: ... Assemble. Converse of ouvert(e) ('open'). This is commonly used in pirouettes and as an intermediate position in other movements such as développé front. Vedi contenuto correlato Italian Quiz. Music a. A smooth and continuous bending of the knees outward with the upper body held upright. The action of falling, typically used as a lead-in movement to a traveling step, e.g. Grant, Gail. A movement in which the raised, pointed foot of the working leg is lowered so that it pricks the floor and then either rebounds upward (as in battement piqué) or becomes a supporting foot. (French pronunciation: ​[kabʁijɔl]; meaning 'caper.') There are eight to eleven positions of the body in ballet, eight in Cecchetti and RAD and ten or eleven in the Russian and French schools. from 5th position) the working leg performs a battement glissé/dégagé, brushing out. (French pronunciation: ​[syʁ lə ku də pje]; literally 'on the neck of the foot.') Learn more. These positions may be combined to give other positions. Bras bas ('arms low') (RAD)/bras au repos ('at rest') (French), preparatory position (Rus. Fouetté itself refers to a move where a quick pivot on the supporting leg changes the orientation of the body and the working leg. Grand Battement Jeté is a classical ballet term that desribes how a grand battement is “thrown.” This ballet term is all about the idea that the working leg quickly gets to the top positions rather than slowly. For the right leg, this is a counter-clockwise circle. (French pronunciation: ​[dəmi]; meaning 'half.') (French pronunciation: ​[balɑ̃se]; "balanced") A rocking sequence of three steps—fondu, relevé, fondu (down, up, down)—executed in three counts. 2. Turned out legs with the feet pointing in opposite directions, heels touching. Differs from a détourné in that there is a repositioning of the feet on finishing (and a crossing action, if not initiated in 5th) vs. just a pivot to half turn. A fouetté turn is a turn that begins with the supporting leg in plié. For example, a coupé jeté manèges is typically done by a male dancer in a coda of a classical pas de deux. How to use assemble in a sentence. A. Adage, Adagio (a-DAHZH) At ease or at leisure. Triple frappé front would be front, back, front, [dégagé] front.). Assemble definition: When people assemble or when someone assembles them, they come together in a group,... | Meaning, pronunciation, translations and examples This can also be done as a relevé or jump. Glissade definition, a skillful glide over snow or ice in descending a mountain, as on skis or a toboggan. (French pronunciation: ​[ʁɑ̃vɛʁse]) An attitude presented on a turn.[7]. Brisk, lively motion. Croisé derrière in the Russian school alternatively has the upstage leg working to the back, but the downstage arm out to second. Common abbreviation for battement dégagé, the foot of the working leg sharply brushes through the floor through tendu pointed in the air 45 degrees or lower. The arm positions can vary and are generally allongé. Gradually extending the working leg to the front (tendu devant), side, or back, passing from flat to demi-pointe to point where only the toes are touching the floor (tendu à terre), or only the pointed toes are elevated (en l'air). In the Vaganova school, the full term is sissonne ouverte tombée. Odd-numbered entrechats refer to the previous number, but done landing on one foot with the other in cou-de-pied: for example, an entrechat cinq (five) is the same as an entrechat-quatre, but done landing on one leg. ډله، دسته، دساز يا نو ډله ، انسا مبل، هغه جامى چه يو له بله سره په بشپړه تو ګه ولكيږى, ایک عورت کے ایک ساتھ پہنے جانے والے کپڑوں کا جوڑا, مقطوعَه غِنائِيَّه يُنْشِدُها كافَّة المُغَنين, किसी ओपेरा में गायकों और संगीतज्ञों के द्वारा गायन, سبھی گلوکاروں ، موسیقاروں کا ایک ساتھ گایا گیا حصہ, هغه جامى چه يو له بله سره په بشپړه تو ګه ولكيږى, کسی شے کے مختلف اجزا کو مجموعی طور پر لینا, Dictionary, Encyclopedia and Thesaurus - The Free Dictionary, the webmaster's page for free fun content, Audition for Oakton's Six Piano Ensemble Sept. 10-11 and 16, Ensemble Media acquires inflight games business of GUE Tech, Ensemble Media Closes Acquisition of GUE Tech Inflight Games Business, Azerbaijani dance ensemble mesmerize Turkish audience, Enseignement en Adaptation Scolaire et Sociale, Enseignement et Formation en Mathématiques, Enseignement et Formation Professionnelle, Enseignement et Formation Scientifiques et Techniques, Enseignement et Formation Techniques et Professionnels, Enseignement Intelligemment Assisté par Ordinateur, Enseignement Interuniversitaire d'Anesthésie, Enseignement Précoce des Langues Vivantes, Enseignement Technique et Formation Professionnelle, Enseignement, Diffusion, Information, Musiques, Enseignements Généraux et Professionnels Adaptés, Ensemble Artisans et Commerçants Carriérois, Ensemble Artistique et Culturel des Étudiants, Ensemble for Lyrical Operetta Productions Edmonton. On demi-pointe, Cecchetti employs the Russian style of non-brushed pointed foot directly out. It usually consists of an entrée, a grand adage, and a coda, which brings the suite to a conclusion. The Russian school further divides effacé and épaulé into effacé devant, effacé derrière, épaulé devant, and épaulé derrière, and the Russian arm positions on croisé derrière are the converse of Cecchetti/RAD's. (French pronunciation: ​[ʁeveʁɑ̃s]; 'reverence, bow.') (French pronunciation: ​[ɑ̃ klɔʃ]; meaning 'like a bell.') (French pronunciation: ​[tuʁz ɑ̃ l ɛːʁ]; literally 'turn in the air.') Often regarded as the pièce de résistance of a ballet. Best Custom Writing Services. When initiating a demi-plie one must pull up and resist against going down. (French pronunciation: ​[fʁape]; 'struck.') In Cecchetti, RAD, and American ballet, on flat, this action involves brushing a flexed (or non-pointed relaxed) foot from cou-de-pied through the floor, the ball of the foot (lightly) striking as extending out pointed through dégagé. For example, if starting right foot front in 5th position, demi-plié and relevé onto demi-pointe while pivoting a half turn inwards/en dedans towards the direction of the back foot (here left). The landing can be on both feet, on one leg with the other extended in attitude or arabesque, or down on one knee as at the end of a variation. A term indicating the transfer of weight from one leg to another by shifting through to the position without any sort of gliding or sliding movement. All content on this website, including dictionary, thesaurus, literature, geography, and other reference data is for informational purposes only. Before the first count, one foot extends in a dégagé to second position (balancé de côté) or to the front (balancé en avant) or rear (balancé en arrière). A particularly large or complex coda may be called a grand coda. English. (French pronunciation: ​[so də ʃa]) In RAD and American ballet, saut de chat refers to a jump similar to a grande jété differing in that the front leg extends through a développé instead of a grand battement. (French pronunciation: ​[kʁwɑze]; meaning 'crossed.') Most commonly done en dedans, piqué turns en dehors are also referred to as lame ducks. Used to indicate that the back leg should be brought to close in front of the other leg during a step. This step can also be found in Scottish highland dance. (French pronunciation: ​[ʁəlve lɑ̃]; 'lifted slowly.') For example, beginning in fifth position with the right foot front, plié, jump switching the right leg to the back, and land in fifth position with the left foot front. A quick glissade generally done leading into a following step, such as with glissade jeté or glissade assemblé. ('Step of four.') the cast that performs the most amount of shows). When initiated with two feet on the ground (e.g. Grande Jete. Circular movement where a leg that starts at the front or the side moves towards the back. (French pronunciation: ​[a tɛʁ]) Touching the floor; on the floor. The foundational principles of body movement and form used in ballet. These steps are repeated over and over again. A unit or group of complementary parts that contribute to a single effect, especially: a. Performing steps while on the tips of the toes, with feet fully extended and wearing pointe shoes, a structurally reinforced type of shoe designed specifically for this purpose. (E.g. [French, from past participle of assembler, to assemble, fit … (French pronunciation: ​[elve]; 'raised, lifted.') A traveling sideways jump where while mid-air the legs are successively bent, brought to retiré, feet as high up as possible, knees apart. Assemble Definition und Bedeutung | Collins Wörterbuch. The head generally looks over shoulder that is forward (downstage). Another name denoting the same move as a chaîné (i.e. It takes lots of … The roundness and shoulder height of the arms varies by school. Cabriole may be done devant, derrière and à la seconde in any given position of the body such as croisé, effacé, écarté, and so on. A single tour is a 360° rotation, a double is 720°. When done at the barre en demi-pointe to switch sides, only half a turn is done instead of a full turn, and the foot does not extend out into tendu. The arm on the same side as the working leg (i.e. If a large group of dancers participate, the terms coda générale or grand coda générale may be used. Soloists also often dance in principal roles, but most of the time not in the first cast of the show (i.e. In the Cecchetti method, the specifically indicates a spring from fifth position while raising one foot to sur le cou-de-pied. When initiating a grand-plie one must pull up and resist against going down. The front leg brushes straight into the air in a grand battement, as opposed to from développé (or an unfolding motion). In addition, the dancer must stabilize the pelvis, maintaining a neutral position, and keep the back straight to avoid arching and going off balance. In a brisé en arrière, the process is reversed, with the front leg brushing to the back and beating to land in front. what are some common ballet terms and how do you pronounce them? This step is often done turning ("en tournant"), where each jump rotates 1/2 turn. Pirouettes are most often executed en dehors, turning outwards in the direction of the working leg, but can also be done en dedans, turning inwards in the direction of the supporting leg. During grande allegro our teachers LOVE to start every exercise with a faille assemble. A leap in which one leg appears to be thrown in the direction of the movement (en avant, en arrière, or sideways). The action of alternating between devant and derrière is seen in a petit battement. This can also be performed from one foot, while the other maintains the same position it had before starting the jump (i.e. (French pronunciation: ​[batʁi]) A general term for jumps in which the legs open slightly sideways and close (crossed in fifth position) multiple times, alternating feet. A full outfit of clothes worn at the same time, especially of matching clothes. A tombé through second starts with a dégagé of the leading leg to second position, the leading foot coming to the floor with the leg in plié, and the trailing leg lifting off the floor in dégagé to (the opposite-side) second position. The back leg follows making the splits in the air. ', (Italian pronunciation: [alˈleːɡro]; meaning 'happy'). Third position in the Russian school holds both arms slightly rounded overhead. En face indicates facing something directly, generally the audience. Similar to Balançoire, which additionally allows seesaw like upper-body shifting in counterpoint to the legs. ble (ŏn-sŏm′bəl) n. 1. (French pronunciation: ​[ɑ̃ pwɛ̃t]) Supporting one's body weight on the tips of the toes, usually while wearing structurally reinforced pointe shoes. (French pronunciation: ​[flik flak]) Familiar French term for battement fouetté à terre. (French pronunciation: ​[sisɔn]) A jump done from two feet to one foot. (French pronunciation: ​[pɑ d(ə) bask]; 'step of the Basques.') A bow, curtsy, or grand gesture of respect to acknowledge the teacher and the pianist after class or the audience and orchestra after a performance. In most cases, this holds the calves together and the feet in a tight fifth position en pointe or demi-pointe and travels forward, backward, or to either side. 01:40. The working leg is thrust into the air, the underneath leg follows and beats against the first leg, sending it higher. second arabesque). This term relates only to the movement of the body from the waist up. (French pronunciation: ​[ekaʁte]; literally 'spread,' as in 'separated.') It is commonly executed from cou-de-pied front to cou-de-pied back or vice versa. In the United States, "coupé" may be used to denote the position cou-de-pied, not unlike "passé" is used to denote the position retiré in addition to the action of passing through retiré. (French pronunciation: ​[dəvɑ̃]; literally 'front.') Halfway between a step and a leap, taken on the floor (glissé) or with a jump (sauté); it can be done moving toward the front or toward the back. Other schools may use a flexed foot without the strike or a non-brushed pointed foot on demi-pointe. The second foot in the sequence (in any direction) assembles behind the first to relevé in fifth or fourth position. … A dancer exhibiting ballon will appear to spring effortlessly, float in mid-air, and land softly like a balloon. Contrasts with (battement) tendu jeté, aka dégagé, in which the leg brushes out propulsively from a position through tendu to elevated off the ground, and (temps) développé, in which the leg passes through retiré (or petit retiré) to à la hauteur or demi-hauteur, i.e. sixth position) instead of turned out as in ballet. (French pronunciation: ​[asɑ̃ble]; literally 'assembled') Sometimes also pas assemblé. In échappé sur le pointes/demi-pointes a dancer begins with a deep plié, springs onto les pointes or demi-pointes, ending in either second position (when starting from first position) or fourth (when starting from fifth) with knees straight. (French pronunciation: ​[tɑ̃dy]; literally 'stretched.')